The show must go on!
Broadway was getting bigger and bigger - and Shea's was just too small. Popular "mega-musicals" of the 1980's like Les Misérables, The Phantom of the Opera, and Miss Saigon were in hot demand with the falling chandeliers and flying helicopters but even just the bus-and-truck tours for Annie and Cats were already struggling to fit backstage. "We had to shave three-sixteenths of an inch off a couple of bricks to get the set in," producer Albert Nocciolino remembers.
You can see the divide between the original stagehouse and the expansion depicted here - the original 1926 brick juts against the 1999 cement block addition.
Photo Credit: The Buffalo News - June 18, 1996
Patrick Fagan led the charge: if Shea's was going to join the "major entertainment leagues", we would need a major stagehouse expansion.
Photo Credit: The Buffalo News - December 3, 1997
There were no ribbons, no scissors, no dirt or shovels, just sledge hammers. On December 3, 1997, Shea's gave a whole new meaning to the term "ground-breaking" as we welcomed local officials, dignitaries and board directors downtown to participate in a unique ceremony to kick off the stagehouse expansion. Complete with hard hats, Shea's Board Chairman Gerald M. Goldhaber, Ph.D. and Shea's President and Chief Operating Officer Patrick Fagan, were joined by Buffalo Mayor Anthony M. Masiello and Erie County Executive Dennis T. Gorski, in knocking out the first bricks of the rear wall, which are being removed to allow for expansion. Robert G. Wilmers, Chairman and CEO of M&T Bank, and Shea's Broadway presenting partner, Albert Nocciolino were also on hand to take swings at the bricks themselves.
Photo Credit: November 30, 1998
$14.8 million dollars and 50-feet long
Photo Credit: The Buffalo News - April 1, 2001
In 2001, Patrick J. Fagan retired from Shea's -- but not before bringing in Anthony C. Conte to replace him as president. Conte already had a long history with Shea's, having begun volunteering for the theater in 1970 and would serve as our president for fourteen years.
“The reward is seeing people coming through the doors and taking three or four steps, their jaws dropping and just staring up. You can always pick out the people who have not been in the theater before,”