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The Grand Opening

The Grand Opening

Saturday January 16, 1926

January 16th 1926, marked a year and a day from the initial groundbreaking to build Shea's Buffalo Theatre and became the grand opening of 'The Wonder Theatre'!

Many Buffalo businesses published ads congratulating Michael Shea and welcoming Shea's Buffalo Theatre!

Many Buffalo businesses published ads congratulating Michael Shea and welcoming Shea's Buffalo Theatre!

C.W. & Geo. L. Rapp Architects

These photos belonged to the archives of Rapp & Rapp Architects in Chicago, and remain our best resource on restoring Shea's Buffalo a hundred years later to its original historic state as it looked on Opening Day in 1926.

Our Grand Lobby and Grand Staircase on our Grand Opening Day. Look carefully above the stairs, you might notice that a familiar face is missing from this photograph...

Our Grand Lobby and Grand Staircase on our Grand Opening Day. Look carefully above the stairs, you might notice that a familiar face is missing from this photograph...

Jules Lefebvre's "Mignon" has been on display over the Grand Staircase at Shea's Buffalo Theatre since September 1926, added a few months after opening. It's origins were recently discovered thanks to <a href="https://www.theatertalkbuffalo.com/post/from-mrs-astor-s-gallery-to-shea-s-grand-staircase-the-true-story-of-mignon?utm_campaign=eb4533cb-13ab-4989-a8f9-3f6af4e6dc7f&utm_source=so&utm_medium=mail&utm_content=6f8ef316-34f5-4b18-a901-2a4274e5399d&configurationId=9f51e10b-2349-4a79-bc6f-01cac1517817&actionId=22f81185-0499-4063-ad0f-00add4e1f801&cid=e3a04faf-9914-45a2-ae1c-5811971c6ef6">Anthony Chase</a>, as originally belonging to the Astors' family and was purchased by Michael Shea from an auction.

Photo Credit: The Buffalo Times - September 12, 1926

Jules Lefebvre's "Mignon" has been on display over the Grand Staircase at Shea's Buffalo Theatre since September 1926, added a few months after opening. It's origins were recently discovered thanks to Anthony Chase, as originally belonging to the Astors' family and was purchased by Michael Shea from an auction.

While today this space serves as our Spotlight Lounge for Shea's Donors, in 1926 this was the Musicians' Lounge where live music was played for audiences entering the lobby!

While today this space serves as our Spotlight Lounge for Shea's Donors, in 1926 this was the Musicians' Lounge where live music was played for audiences entering the lobby!

The 2nd Floor Mezzanine overlooking the Petite Lobby

The 2nd Floor Mezzanine overlooking the Petite Lobby

The Grand Lobby as seen from the Grand Staircase.

The Grand Lobby as seen from the Grand Staircase.

The Petite Lobby as seen from the Pearl Street stairs.

The Petite Lobby as seen from the Pearl Street stairs.

The Shea's Buffalo Theatre stage as seen from the balcony.

The Shea's Buffalo Theatre stage as seen from the balcony.

The balcony as seen from Stage Right.

The balcony as seen from Stage Right.

Did you know? When Shea’s Buffalo Theatre first opened, the iconic red velvet seats weren't quite ready for their debut! Early audiences left the theater with an unexpected souvenir: red stains on their clothes from the fresh dye. Nine months later in October 1926, Shea's Buffalo Theatre had been unable to have the problem resolved and informed the American Seating Co., which had supplied the seats, that the operators were paying from $10 to $50 a week to patrons for ruined clothing.  Eventually, after nearly two years, the contractor agreed to re-cover all the seats.

Did you know? When Shea’s Buffalo Theatre first opened, the iconic red velvet seats weren't quite ready for their debut! Early audiences left the theater with an unexpected souvenir: red stains on their clothes from the fresh dye. Nine months later in October 1926, Shea's Buffalo Theatre had been unable to have the problem resolved and informed the American Seating Co., which had supplied the seats, that the operators were paying from $10 to $50 a week to patrons for ruined clothing. Eventually, after nearly two years, the contractor agreed to re-cover all the seats.

The orchestra seats as seen from House Left.

The orchestra seats as seen from House Left.

The orchestra seats as seen from House Right.

The orchestra seats as seen from House Right.

The Mens' Lounge (basement)

The Mens' Lounge (basement)

The Mens' Lounge (basement)

The Mens' Lounge (basement)

The Ladies' Room (basement) - each with a personal vanity.

The Ladies' Room (basement) - each with a personal vanity.

The Mighty Wurlitzer

Installed December 1925 at the then-stupendous cost of $72,000...a four manual twenty-eight rank pipe organ, it was one of the largest instruments the Rudolph Wurlitzer Company of North Tonawanda, N.Y. had built up to that time.

All the Bells and Whistles!

Michael Shea loved strings and the Buffalo instrument contains seven ranks of them, quite a large number for an organ of this type. The pedal organ is one of the largest to be found anywhere with twelve ranks of its own. Among the exceptional ranks of pipes is a gorgeous-sounding sixteen foot tibia plena. The smallest pipe is no bigger than a pencil while the largest of the pedal pipes are thirty-two-feet long, huge enough for a good-sized man to sit in. Virtually every instrument is a symphony orchestra is represented in this organ and when full organ is played it sounds very much like a complete orchestra. The massive instrument is located in six large chambers ,three of each side of the theater. It contains a complete set of percussion stops, commonly known as the "toy counter". Included in this section is a large xylophone, marimba, harp, chimes, cymbal, kettle, snare and bass drums, orchestra bells plus the usual array of sounds that were initially used to accompany silent films - auto horn, boat whistle, Chinese gong, bird whistle, etc. Sitting in the lower box on the right hand side of the stage is a large grand piano which is played from the organ console.

The original voicing of the organ was done personally by Joseph Carruthers and James Nuttall, the Company's two major voices. Carruthers was the best diaphone man in the business while Nuttall was a top reed voicer. Both men were proteges of Robert Hope-Jones himself. Rarely did these two men leave the factory to go out into the field and voice the various organs themselves. Their assistants usually performed this task. The fact that Carruthers and Nuttall did the voicing themselves is one reason why this organ sounds so great; the other reason is that the instrument and the room seem to be perfectly matched.

Photo Credit: The Buffalo Courier

Welcome to the Wonder Theatre

65 cents for a show!

The Daily Box Office Statement for opening day showed 10,332 paid admissions. All tickets that day were 65 cents. The day’s receipts totaled $6,715.80. Meanwhile, the theater’s payroll for the first week totaled $6,633.92. Some of the weekly salaries:
  • Vincent McFaul, manager $150
  • ushers (there were 37) $7.36 to $18.33
  • Harry Wallace, orchestra conductor $150
  • M. DelCastillo, organist $200. The payroll lists 47 orchestra members, including the conductor and organist.
The price for a ticket to attend the Grand Public Opening in 1926 was just 65 cents - that would cost $11.74 today.

The price for a ticket to attend the Grand Public Opening in 1926 was just 65 cents - that would cost $11.74 today.

Photo Credit: The Buffalo Courier - January 16, 1926

Photo Credit: The Buffalo Evening News - January 18, 1926

seeing a show at Shea's

Going to see a show at Shea's wasn't just a movie - although the latest film from Hollywood was a major attraction. It was like walking into a well-oiled machine on loop that repeats itself four times a day from 11:00 AM until the doors closed at 10:00 PM. Upon entering the Wonder Theater, audiences were greeted with music from the player piano in the lobby that plays itself (and is still playing in the Grand Lobby today!), from the musician's lounge above the Main Street doors, and from an orchestra of 45 musicians in the theater itself, accompanied by the Mighty Wurlitzer of course.

Up on the big screen, newsreels would play, and then the show would begin - the live show, that is: the stage of Shea's Buffalo has held it all, from the Marx Brothers to dance revues...Then the latest film from Paramount Pictures would be played - in the 1920's up until 1948, Shea's theaters were part of the block booking system and could only show movies produced by their studio.

Finally, the audience would leave, the musicians playing them out, as the ushers prepared for the next showing that was already about to begin.
The first movie shown at Shea's Buffalo Theatre was <i>The King On Main Street</i>, starring Adolphe Menjou. Although a silent film, The King On Main Street includes two sequences filmed in early two-strip Technicolor.

The first movie shown at Shea's Buffalo Theatre was The King On Main Street, starring Adolphe Menjou. Although a silent film, The King On Main Street includes two sequences filmed in early two-strip Technicolor.

The front of the playbill from Shea's Buffalo Theatre's grand opening on January 16, 1926, reflects the excitement of the evening, where Michael Shea hosted 4,000 of his closest friends.

The front of the playbill from Shea's Buffalo Theatre's grand opening on January 16, 1926, reflects the excitement of the evening, where Michael Shea hosted 4,000 of his closest friends.

25,000 CROWD SHEA'S BUFFALO

Long lines of eager movie patrons stretched from the doors of Shea's Buffalo Theater to Chippewa Street and to Tupper Street yesterday, as thousands of Buffalonians decided to see the new "Wonder Theater", no matter how long the wait outside might be. Twenty-five thousand times did the turnstile click, from 11 o'clock in the morning until 10 o'clock at night. Standing room at a premium throughout the day as it was on Saturday, when the public opening was public.

Photo Credit: The Buffalo Evening Times - January 18, 1926

"Can you give me some names of the prominent people here?" Vincent McFaul, newly appointed manager of the Wonder Theater, was asked last evening. "Names? - Impossible," he replied. "Just say that all Buffalo is here."